The Distance Between Us
A meditation on love as the bridge between existential separation and ontological oneness.
A meditation on love as the bridge between existential separation and ontological oneness.
Continuing the tradition of designing cover art for the Journal, Nigel Jackson depicts ‘The Peacock’s Tail' and writes about the metaphysical symbolism of light and colour in the context of the fan of the peacock.
In 1950, Leo Schaya, a Jewish friend of Frithjof Schuon, traveled to the Muslim world for the first time. He recorded his impressions in a diary, which is presented here for the first time in English.